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"How do I love this woman? A beautiful rose garden I'll do a great rose garden to make her fall in love. All around her a rose garden, which encircle the walls ... walls of precious stones and gold to do it for love. In the middle put a fountain, where will pour the water source and I will put on a bird to sing to make it fall in love.

... For you have become even a bird, so I could sleep next to you, my pretty. The bird sang and slept, sang the beauty of this woman, and "beautiful" you said " made me fall in love with your walk and the way you talk. If you had not been so nice, I'd do fall in love . ...
So what do you want from me? Now if you're bothered by this is not my fault, do not blame me! "

The translation of an ancient version of the Tarantella del Gargano. Too cute and too realistic. The women that if they pull it, genetically born with chromosome snob, and the ability to bungee jumping there have always been as healthy and strong men of despair. Ahhhhhhh l'amour l'amour.

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contact: 0033 (0) 6 71 62 86 03
altoaloiv@yahoo.fr


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violist Italian, from Naples, Marco was trained by the great masters such as Emanuele Beschi Danilo Rossi, Wim Janssen, Claudio Pavolini and Pierre Henry Xuereb (diploma from the Music Conservatory "Giuseppe Verdi" in Milan, Cremona and international internships Bobbio and fellow at the Ecole Normale de Paris).

Thanks to their advice, he was able to get rich working experiences important for symphonic and chamber orchestra (Milano Classica, Orchestra of Lombardy, Pomeriggi Musicali, Orchestra of Britain, Accademia La Scala, Orchestre de Caen ) to baroque ensembles (Accademia Bizantina, Harmonices Mundi Musica Laudantes, Arion Consort, with soloists Giardino Armonico) and contemporary (Sentieri Selvaggi, Set Risognanze).

Risognanze With the Ensemble he recorded two works by Salvatore Sciarrino that win major prizes including the Prix Choc "du Monde de la Musique and The Guardian, 2006.

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Based in Paris, he began an intense collaboration with the Ensemble Matheus conducted by Jean Christophe Spinosi, with whom he played in prestigious venues in Europe and abroad, as, among other things, the "legendary Carnegie Hall in New York. In addition, he recorded two works by Vivaldi appreciated by critics worldwide (cf cd see right)

During the 2007 Victoires de la Musique transmitted on France 2, Marco meets Philippe Jaroussky and he began a collaboration in his Ensemble Artaserse in important projects, including European tours.

In 2009, he was noticed by the contralto Nathalie Stutzmann, who invited as principal viola for collaboration within the whole Orfeo 55 for the 2010/2011 season, including a CD by Deutsche Grammophon.

In 2010 he joined the quintet Opus 5, which accompanies all the adventures of the great mezzo-soprano Jennifer Larmore.

In 2011 he was invited by Thomas Hengelbrock and Balthasar-Neumann Ensemble for a tour in Germany and England.





Agenda 2011



                          Orpheus 55

Arsenal, Metz

Teatro Auditorio, Cuenca

Salle Gaveau, Paris



Sanit Michel Abbey Thiérache

Opera Vichy

Concertgebouw, Amsterdam

Festival of Torroella

Festival Ambronay

Cité de la Musique, Paris

Opera de Monte Carlo





                                           Together Artaserse


Hall of Mirrors in Versailles

Festival Auvers sur Oise

Festival Mont Saint Michel

Saint Riquier Festival

Bad Kissingen

 Opera Stuttgart


Sweling Holstein


Festival Usez


Kioi Hall, Tokyo

Seinen Bunka, Sendai

Shirakawa Hall, Nagoya


Izumi Hall, Osaka






                                  Balthesar-Neumann Ensemble


Wurzburg Opera

Festspielhaus Baden-Baden

Barbican Center, Londres

Opera Athens

                                                     Ensemble Matheus


Théâtre du Châtelet, Paris

Theatre des Champs-Elysees, Paris

Opera de Nice

Opera de Budapest

 Barbican Center, Londres


Opera de Cracovie






                          Jennifer Larmore & Opus Five


Grand Theatre, Aix-en-Provence

Palazzetto Bru-Zane, Venice

Festival Gran Canaria, Las Palmas












Agenda 2010


                               Ensemble Matheus



Concertgebouw Amsterdam www.concertgebouw.nl/

Mikailovsky Theatre of St. Petersburg, Russia

Festival of Salzburg, Austria www.salzburgerfestspiele.at/

Theatre Luxembourg Christmas Oratorio, Bach

Theatre des Champs Elysees Christmas Oratorio

Theatre du Chatelet Norma V. Bellini

Cracow Philharmonic La Fida Ninfa, A. Vivaldi

BBC PROMS London

Musikfestbremen


; Together Artaserse


www.concertsparisiens.fr/

Festival Santiago de Compostela, Spain www.viastellae.es/

Music Festival of Strasbourg

www.festival-strasbourg.com/

Festival Atlantic Azores Portugal

Grand Theatre de Bordeaux www.opera-bordeaux.com/

Festival Musique Ancienne de Lyon www.lachapelle-lyon. org /

Farinelli at Versailles http://www.chateaudeversailles-spectacles.fr/

Barbican Center, London

Bozart Festival, Brussels

Theatre des Champs-Elysees, Paris




                    Ensemble Una Stella

 
Sinfonia en Perigord www.sinfonia-en-perigord.com/

Les nuits d’Usez www.nuitsmusicalesuzes.org /





                               Ensemble Risognanze


www.risognanze.it :

MiTo Festival entre Milan et de Turin, Italie www.mitosettembremusica.it/

Milano Musica Festival (05/09)




; ; Orpheus 55


Arsenal, Metz (2.2)

Salle Gaveau, Paris (04/02)

Palau de la Musica, Valencia (20/02)

Auditorium Real Madrid (22/02)

Festival de Sable (24/08)

Bordeaux Opera (02-03/12)

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JOURNALS OF THE OTHER WORLD DIARIES

Sensations
Who is deprived of one sense is a natural inclination to sharpen the other four. When night falls, we do not have vision, there are no lights, street lamps, bulbs or neon to illuminate the night. It's dark, eyes on nothing more than black, but the world is still there and you just have to feel it in other ways.
the day disappear quickly once the sun goes down and brings the heat more oppressive. Life here is not stressful but extremely tiring, especially in the physical and stomach. With the arrival of darkness external reality comes filtered through a veil of oblivion and the body is pervaded by a languid feeling of abandonment and relaxation. The decrease in the AFA now stimulates the appetite.
Whilst dining in the dim light of an oil lamp, let it sniff and taste the contents of the pot. Without seeing in detail everything that goes in your mouth can be appreciated more. Certainly the variety of ingredients leaves something 'to be desired, but the exotic spices make an original taste for the meal. And then, all they eat here primarily to eat, the dishes prepared belong to the culture of opulence.
Meanwhile, life slows down. Stimuli smaller than during the day are only a supplement to the view now become the protagonists and the mind is invaded by those sounds that do not normally the case. The ear rested traffic noise pollution is tickled by the sounds and rhythms of nature. Smoking the last cigarette and the breeze lifts a slight rustling in the leaves of baobab trees above us.
We go on the flat roof of the hut and placed a mattress on which it is sheltered from the mosquito net that will protect us leaving all'arietta free space to move and caress the skin felt the heat during the day. High increases in the range of hearing. In the courtyard next to a goat bleating, a bit further down the braying of the donkey responds. From a puddle spreads a background of frogs croaking all night. The last sound before falling asleep such as stones and the buzzing of mosquitoes captured by the thin veil pierced.
The awakening is gradual, the sun is rising, but the light is already strong, the eyes fail to open, would be dazzled. The world slowly takes shape through the ears. A rooster crows long ago but every time you feel a bit 'stronger. The extent of the donkey and goats help us remember where we are. Compared to yesterday evening there are new sounds that slowly becomes aware of half asleep. Around the hut shouting a great product from the bustle of men and boys / children leaving for the fields and women and boys / girls direct from the well with the containers balanced on their heads. Ciacole cheerfully despite the time and the long day that awaits them. A baby crying, a dog barks.
music comes from the courtyard, percussion rhythms that alternate with other deaf sounds more acute in what looks like a percussion concert. They are the guardians of the home that already in the early morning attack to grind mile circle in the middle of the clearing. Beat the long sticks rounded at the ends in the large wooden bowl filled with small seeds (thump) and raising the heavy pestle, a mortar hit the edge of the wide (round). Women of all ages, with tools of different sizes, beating a handful of flour each with his pace well synchronized with the others obtained a splendid melody for passing the hardships of daily life.
We just have to wake up at all. While the lack of having to join the rest, now the light projected into the eyes enormous efforts to a bare existence.